Mary Coyle Chases Harvey has been an American favorite since it was first brought to the Broadway stage in 1944. While on the surface, the laughter (both that of Lenny and Babe, and that generated among the audience) seems shockingly flippant, the moment is devastatingly human. 30, nos. She wrote her first play, a one-act titled Am I Blue, to fulfill a play writing class assignment. In order to keep the photos of Babe and Willie Jay secret, however, he will not be able to expose Zackery openly, which had been his original hope and intention. . Doc: Thats right Meggy, a boy and a girl. Meg has also been surrounded by men all her life, while Lenny has feared rejection from the opposite sex and become withdrawn as a result. She steps in front of an audience conveying a white bag, a saxophone case, and a dark colored sack. And all of it is demented, funny, and, unbelievable as this may sound, totally believable. Can you use a glass?. "Crimes of the Heart 80-94. The play begins on Lenny's thirtieth birthday. 428 b.c.e. Henley stated in The Playwrights Art: Conversations with Contemporary American Dramatists that it depends on how specific youre being about the characters background as to whether thats an issue. In a play like Crimes of the Heart, if youre writing about a specific time or place . Oh, it's a wonderful morning! They have perhaps found an absolution which Henley, tellingly, has described as a process of writing itself.Writing always helps me not to feel so angry, she stated in Interviews with Contemporary Women Playwrights. Students and others who had protested against the war remained largely disillusioned about the foreign interests of the U.S. government, and society as a whole remained traumatized by U.S. casualties and the devastation wrought by the war, which had been widely broadcast by the media; the Vietnam War was often referred to as the living room war due to the unprecedented level of television coverage. Because each style has its own formatting nuances that evolve over time and not all information is available for every reference entry or article, Encyclopedia.com cannot guarantee each citation it generates. 2, January 12, 1981, pp. Berkvist focused on the novelty of a playwright having such success with her first full-length play, and summarizes the positive reception of the play in Louisville and in its Off-Broadway run at the Manhattan Theatre Club. As an undergraduate at Southern Methodist University (SMU) in Dallas, Texas, Henley studied acting and this training has remained important to her since her transition to play writing. Like Flannery OConnor, Scott Haller wrote in the Saturday Review,Henley creates ridiculous characters but doesnt ridicule them. Hargrove examines Henleys first three full-length plays, exploring (as the title suggests) the powerful mixture of tragedy and comedy within each. I regret, Heilpern wrote, it left me mostly cold. It is interesting to consider whether, as Heilpern mused, he found the play bizarre and unsatisfying because as a British critic he suffered from a serious culture gap. Instead of a complex, illuminating play (as so many American critics found (Crimes of the Heart), Heilpern saw only unbelievable characters whose lives were a mere farce. She is a very demanding relative, extremely concerned about the communitys opinion of her. A more recent assessment which includes Henleys play Abundance, an epic play spanning 25 years in the lives of two pioneer women in the nineteenth century. Meg, the middle sister, left home to pursue stardom as a singer in Los Angeles, but has, so far, only found happiness at the bottom of a bottle. Crimes of the Heart written by Beth Henley (Meg is heard singing a loud happy song.Babe then arrives and excited to see his.. st. Encyclopedia.com. He was looking up at me trying to speak words. THEMES Babe also begins revealing to her sister more about shooting her husband. Heilpern, John. The United States, with its unparalleled dependency on fuel (in 1974, the nation had six percent of the worlds population but consumed thirty-three percent of the worlds energy), experienced a severe economic crisis. Crazy things happen in Hazlehurst: Pa MaGrath ran out on his family; Ma MaGrath hanged her cat and then hanged herself next to it, thus earning nationwide publicity. I Go with What Im Feeling in Time, February 8, 1982, p. 80. I could see only Southern types, like a cartoon.. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall Babe Botrelle, the youngest and zaniest sister, has just shot her husband in the stomach because, as she puts it, she didnt like the way he looked. The absence of any prominent historical context to the play may reflect Henleys perspective on national politics: she has described herself as a political cynic with a moratorium on watching the news since Reagans been president, as she described herself in Interviews with Contemporary Women Playwrights. As the three sisters talk, Meg and Babe convince Lenny to call her man Charlie and restart their relationship. The action opens on Lenny McGrath trying to stick a birthday candle into a cookie. Lou Thompson, in the Southern Quarterly, similarly found a sense of unity at the end of the Crimes of the Heart but traced its development from of the dominant imagery of food in the play. Babe says after the shooting her mouth was just as dry as a bone so she went to the kitchen and made a pitcher of lemonade. Henley felt that this commercial flop (not uncommon under the severe financial pressures of Broadway production) was part of the cost of winning the Pulitzer Prize (Betsko and Koenig 215). He and Meg drink together, and talk about the hurricane and hard times. Ludicrously horrifying honesty is., Because of the distinctive balance that Henley strikesbetween comedy and tragedy, character and plot, conflict and resolutionthe playwright whose technique Henleys most resembles may be Chekhov (although her sense of humor is decidedly more macabre and expressed in more explicit ways). Moments like this are seized upon by Henleys harshest critics; Kerr, for example, wrote that Crimes of the Heart suffers from her beginners habit of never letting well enough alone, of taking a perfectly genuine bit of observation and doubling and tripling it until its compounded itself into parody. Even Kerr admitted, however, that despite moments of seeming excess, Crimes of the Heart is clearly the work of a gifted writer., Most other critics, meanwhile, have been more enthusiastic in their praise of Henleys technique. L. Mencken said that asking a playwright what he thinks of critics is like asking a lamppost what he thinks of a dog. Crimes of the Heart, meanwhile, has passed into the canon of great American plays, proven by the work of literary critics to be rich and complex enough to support a variety of analytical interpretations. . Chick seems to feel closest to Lenny, and is genuinely surprised to be ushered out of the house for her comments about Lennys sisters. Similarly a dark comedy about a small Mississippi town, the play was completed in 1980, and premiered in several regional productions in 1981-82 before opening at the Manhattan Theatre Club in 1984. Crimes of the Heart . When it did, in November, 1981, the play was a smash success, playing for 535 performances and spawning many other successful regional productions. The following morning. Sisterhood is Beautiful in the New York Times, January 12, 1981, pp. Cite this article Pick a style below, and copy the text for your bibliography. Jones, John Griffin. A glowing review of the off-Broadway production of Crimes of the Heart, which restores ones faith in our theatre.. Retrieved February 23, 2023 from Encyclopedia.com: https://www.encyclopedia.com/arts/educational-magazines/crimes-heart. Source: John Simon, Sisterhood is Beautiful in New York, Vol. And if he cant take it, if it sends him into a coma, thats just too damn bad., Struck by the absurdity of this comment (for Meg, unlike Lenny and Babe, does not yet know that her grandfather already is in a coma), Megs. The most remarkable thing about "Crimes of the Heart" is the way Spacek blows both of these powerhouses off the screen. PLOT SUMMARY I try to understand that ugliness is in everybody. Drama for Students. He is willing to make this sacrifice for Babe, and the play ends with some hope that his efforts will be rewarded. Chicks voice is heard almost immediately; her questions reveal that grandpa is in a coma and will likely not live. Doc is Megs old boyfriend. 9, no. While the mistakes her characters have made are the source of both the conflict and the humor of Crimes of the Heart, Henley nevertheless treats these characters with great sympathy. She also wrote the screenplay for Nobodys Fool (as well as screen adaptations of her own plays) and collaborated with Budge Threlkeld on the Public Broadcasting Systems Survival Guides and with David Byrne and Stephen Tobolowsky on the screenplay for Byrnes 1986 film True Stories. HISTORICAL CONTEXT CRITICAL OVERVIEW (Names have a way of being transsexual in Hazlehurst.) Doc: Yeah. Old Granddaddy has always told her: With your talent, all you need is exposure. . Chick and Lenny divide between them a list of people they must notify about Old Granddaddys predicament. Chick goes off with obvious displeasure with the sisters. 1974 was an especially trying year for the developing world, as massive famine swept through Asia, South America, and especially Africa, on the heels of drought and several major natural disasters. In particular, Henleys treatment of the tragic and grotesque with humor startled audiences and critics (who were either pleasantly surprised, or unpleasantly shocked). Crimes of the heart beth henley script. Babe recounts: Then I called out to Zackery. Jory noted that what struck him about the play initially was this sense of balance: the comedy didnt come from one character but from between the characters. In various ways, "Crimes of the Heart" continually puts you at a remove from reality, all the while insisting that it is, at least in some sense, realistic. Babe, feeling enlightened, says she knows why their mother killed the cat along with herself; not because she hated it but because she loved it and was afraid of dying all alone. Meg comforts Babe by convincing her Zackery wont be able to make good on his threat. Barnette also reveals that medical records suggest Zackery had abused Meg leading up to the shooting. SOURCES . The two decide to go off together and continue to drink; there is an obvious attraction, but Doc is careful to say theyre just gonna look at the moon and not get in over their heads. Crimes of the Heart Monologues Beth Henley in Interviews with Contemporary Women Playwrights, Beach Tree Book, 1987, pp. Lenny returns and is surprised by her sisters with a late The play has an adolescent perspectivetwo insecure and lonely teenagers meet in a squalid section of New Orleansbut audiences and critics (who reviewed the play when it was revived in 1981) found in it many of the themes, and much of the promise, of Henleys later work. Spinotti's light re-creates the Mississippi heat without ever becoming bland or bleached out, and Beresford frequently keeps you at a daring distance, using production designer Ken Adam's architecture as a kind of proscenium arch. Given Henleys virtually unprecedented success as a young, first-time playwright, and the gap of twenty-three years since another woman had won the Pulitzer Prize for Drama, one of the concerns of critics was to place Henley in the context of other women writing for the stage in the early 1980s. The content of those monologues only makes matters worse. A review of the Broadway production of Crimes of the Heart. Through this process, Henley suggests the sheer complexity of human psychology and behaviorthat often, actions cannot be easily labeled good or evil in a strict sense. Babe hides from him at first, as Meg and Barnette, who remembers her singing days in Biloxi, become reacquainted. From your own perspective, how do you think Babe will change as a result of this event and what do you feel her future should rightly be? Haller, Scott.Her First Play, Her First Pulitzer Prize in the Saturday Review, November, 1981, p. 40. For example, when Babe finally reveals the details of her shooting of Zackery, the audience is no doubt struck by her matter-of-fact recounting of events: Well, after I shot him, I put the gun down on the piano bench, and then I went out in the kitchen and made up a pitcher of lemonade. While Babes story lends humor to the present moment in the play (a scene between Babe and her lawyer, Barnette), we can appreciate the human trauma behind her actions. 22, no. At the end of Crimes of the Heart, at least, the sisters have found a kind of unity in the face of adversity. (February 23, 2023). Pick a style below, and copy the text for your bibliography. People do such things and, having done them, react in surprising ways., As the scene continues, however, Henley may perhaps push her point too far; Babes actions begin to seem implausible except in the context of Henleys dramatic need to achieve humor. When you cast, as the sisters, three of the biggest actresses in Hollywood, you take one more giant step away from reality, and it doesn't help that Beresford rarely molds them into an ensemble. 2-3 min. Beth Henley in Contemporary Dramatists, 5th edition, St. James Press, 1993. The play won the 1981 Pulitzer Prize for Drama and was nominated for the Tony Award for Best Play. Contrast Lennys and Megs life strategies: how do they each view responsibility, career, family, romance? . It opens five years after Hurricane Camille, in a Mississippi town called Hazlehurst. . She makes another attempt to commit suicide, on-stage, by sticking her head in the oven. . While Gussows article marked an important transition in the contemporary American theatre, it has been widely rebutted, found by many to be more notable for its omissions than its conclusions according to Billy J. Harbin in the Southern Quarterly. Meg, however, at least to Lenny and Babe, appears to have had endless opportunity. Lenny and Babe ruminate about when Meg might be coming home. Lenny, in particular, resents having had to take upon herself so much responsibility for the family (especially for Old Granddaddy). Immediately upon her entrance at the beginning of the play, Chick focuses not so much upon Babes shooting of Zackery, but rather on how the event will affect her, personally:How Im gonna continue holding my head up high in this community, I do not know. Similarly, in criticizing Meg for abandoning Doc, Chick thinks primarily of her own public stature: Well, his mother was going to keep me out of the Ladies Social League because of it. Near the end of the play, Lenny becomes infuriated over Chick calling Meg a low-class tramp, and chases her cousin out of the house. Lenny, the eldest, never left Hazelhurst -- she is the caretaker of the sisters cantankerous Old Granddaddy. FURTHE, https://www.encyclopedia.com/arts/educational-magazines/crimes-heart. What are the strongest bonds between the sisters, and what are their sources of conflict? . A brief article published during the successful Broadway run of Crimes of the Heart to introduce Henley to a national audience. Wanting to tell someone, she runs out back to find Babe. These details reinforce the idea that ordinary life is like this, a series of small defeats happening to ordinary people in ordinary family relationships. Henley explores the pain of life by piling up tragedies on her characters in a manner some critics have found excessive, but she does so with a dark and penetrating sense of humor which audiencesas the plays success has demonstratedfound to be a fresh perspective in the American theatre. Set in a small Mississippi town, the play examines the lives of three quirky sisters who have gathered back home. With the prestige of the Pulitzer Prize and all the acclaim afforded Crimes of the Hearther first full-length playHenley was catapulted to success in the contemporary American theatre. Reminders of death are everywhere in Crimes of the Heart: the sisters are haunted by the memory of their mothers suicide; Babe has shot and seriously wounded her husband; Lenny learns that her beloved childhood horse has been struck by lightning and killed; Old Granddaddy has a second stroke and is apparently near death; Babe attempts suicide twice near the end of the play. If she errs in any way, it is in slightly artificial resolutions, whether happy or sad. because of their human needs and struggles. Legislative action was stalled, meanwhile, in many other southern states, including North and South Carolina, Alabama, Mississippi, and Arkansas. window.__mirage2 = {petok:"ZJdgemyv3ObVDtpz4buNfYRRTpfreCmPMZq.o6NrSlY-86400-0"}; In the following favorable review of Crimes of the Heart, Rich comments on Henleys ability to draw her audience into the lives and surroundings of her characters. Henley has said of Chekhovs influence upon her that she appreciates how he doesnt judge people as much as just shows them in the comic and tragic parts of people. Most online reference entries and articles do not have page numbers. Haller marveled at the success achieved by a young 29-year-old who had never before written a full-length play. Based on an interview with the playwright, the article is primarily biographical, suggesting how being raised in the South provides Henley both with material and a vernacular speech. Regarding the issue of race, for example, consider Babes affair with Willie Jay, a fifteen-year-old African American youth: while the revelation of it would compromise any case Babe might have against her husband for domestic violence, it presents a greater threat to Willie Jay himself. Just as Lou Thompson has observed in the Southern Quarterly that the characters eat compulsively throughout the play, a predominant metaphor for. Refer to each styles convention regarding the best way to format page numbers and retrieval dates. The play is in three fully packed, old-fashioned acts, each able to top its predecessor, none repetitious, dragging, predictable. Henley's corn pone quirkiness, her blend of southern Gothic (Lenny's "underdeveloped ovary") and odd bits of Americana (a box of Fannie Farmer "Assorted Creams") is too stylized for film (unless a tone of, say, surrealism is sustained throughout). The bells are, she says to Meg later, a specific example of how you always got what you wanted! Meg, however, has learned a hard lesson in Hollywood about opportunity and success. Meg, the middle sister, has had a modest singing career that culminated in Biloxi. [CDATA[ She will be defended by an eager recent graduate of Ole Miss Law School whose name is Barnette Lloyd. New York, NY, Linda Ray . Meg continues to push the point, and Lenny runs upstairs, sobbing. Of her eccentric brand of humor Henley, quoted in Mississippi Writers Talking, suspected that I guess maybe thats just inbred in the South. Lenny, at the age of thirty, is the oldest MaGrath sister. CRITICISM Babe follows, to comfort her. The Miss Firecracker Contest was adapted into a film in 1988, starring Holly Hunter. https://www.encyclopedia.com/arts/educational-magazines/crimes-heart, "Crimes of the Heart The resulting scene depicts them swinging violently from one emotional extreme to the other.Im sorry, Lenny says, momentarily gaining control. Mel Gussow did so famously in his article Women Playwrights: New Voices in the Theatre in the New York Times Sunday Magazine, in which he discussed Henley, Marsha Norman, Wendy Wasserstein, Wendy Kesselman, Jane Martin, Emily Mann, and other influential female playwrights. her hair is a mess, and the heel of one shoe has broken off. Although Meg abandoned him when she left for California, Doc remains fond of her, and Meg is extremely happy to have his friendship upon her return from California. Willer-Moul, Cynthia. As an eleven year-old child, Meg discovered the body of their mother (and that of the family cat) following her suicide. Rich argues that Henley builds from a foundation of wacky but consistent logic until shes constructed a funhouse of perfect-pitch language and ever-accelerating misfortune., [This text has been suppressed due to author restrictions]. Lenny, for example, has rejected Charlie, her only suitor in recent years, because she feels worthless and fears rejection herself. Crimes of the Heart is a play by American playwright Beth Henley. Itsits not funny. Chick shows obvious displeasure for Meg, and for Babe, who doesnt understand how serious the situation is. Lenny and Chick run out after a phone call from a neighbor having an emergency. Kerr is insightful about the delicate balance Henley strikes in her playbetween humor and tragedy, between the hurtful actions of some the characters and the positive impressions of them the audience is nevertheless expected to maintain. . She defies him to do so and hangs up the phone, but she is clearly disturbed by the threat. of her energies and an unconscionable time dying. I was dying of thirst. . It opens five years after Hurricane Camille, in a Mississippi town called Hazlehurst. . In addition to the MLA, Chicago, and APA styles, your school, university, publication, or institution may have its own requirements for citations. Chick expresses displeasure with other facets of the MaGraths family, as she gives Lenny a birthday presenta box of candy. A review of three Broadway productions, with brief comments on Crimes of the Heart. My mouth was just as dry as a bone. . Corliss, Richard. Beth henley crimes of the heart pdf. CHARACTERS For example, Crimes of the Heart has many of the characteristics of a naturalistic work of the well-made play tradition: a small cast, a single set, a three-act structure, an initial conflict which is complicated in the second act and resolved in the third. Busiel holds a Ph.D. in English from the University of Texas. That's what I'm suggesting. How spontaneousor notis each one? Michael Feingold of the Village Voice, meanwhile, was far more vitriolic, stating that the play gives the impression of gossiping about its characters rather than presenting them. Writing in the New York Times, Walter Kerr identified in Henleys play the ground-rules of matter-of-fact Southern grotesquerie, which is by no means altogether artificial. Barnette leaves and Babe reappears, confronted by Meg with the medical information. Gussow traced a history of successful women playwrights, including Lillian Hellman in a modern American context, but noted that not until recently has there been anything approaching a movement. Among the many underlying forces which paved the way for this movement, Gussow mentioned the Actors Theater of Louisville, where Henleys Crimes of the Heart premiered. Barnette is interviewing Babe about the case. At the same time, however, McDonnell observed many important similarities, including their remarkable gift for storytelling, their use of family drama as a framework, their sensitive delineation of character and relationships, their employment of bizarre Gothic humor and their use of the southern vernacular to demonstrate the poetic lyricism of the commonplace., The failure of Henleys play The Wake of Jamey Foster on Broadway, and the mixed success of her later plays, would seem to lend some credence to John Simons fear that Henley might never again be able to match the success of Crimes of the Heart. Not all the Broadway reviews, however, were positive. At first, the only explanation she gives for the act is the defiant statement: I didnt like his looks! And in that way, she succeeds exactly where "Crimes of the Heart" fails -- when she takes center stage, you're finally freed from the movie's perpetual limbo. In Los Angeles, where she now lives, she has been reduced to a menial job. . The many published interviews of Henley suggests that she attempts not to take negative reviews to heart: in The Playwrights Art: Conversations with Contemporary American Dramatists, she observed with humor that H. Exhausted by their traumatic night, Lenny and Babe break down in hysterical laughter telling Meg the news about their grandfather. What do you think is likely to happen to her? Giving in to the inevitable, he resigned his office in disgrace on August 9. Crimes of the Heart Trailer . CRIMES OF THE HEART: Babe tells the court what happened after shooting her husband. Crimes of the Heart Play Writers: Beth Henley Monologues Start: After I shot Zackery, I put the g. Rebecca "Babe" Botrelle (nee Magrath) Crimes of the Heart 6 All monologues are property and copyright of their owners. By the end of the evening, caricatures have been fleshed into characters, jokes into down-home truths, domestic atrocities into strategies for staying alive. Henley is quoted in the article stating that Im like a child when I write, taking chances, never thinking in terms of logic or reviews. Then, copy and paste the text into your bibliography or works cited list. While the family is often portrayed by Henley as simply another source of pain, Harbin felt that Crimes of the Heart differs from her other plays in that a faith in the human spirit. Meg reveals to Doc that she went insane in L.A. and ended up in the psychiatric ward of the country hospital. STYLE Lenny begins criticizing Meg, who counters by asking Lenny about Charlie; Lenny gets angry at Babe for having revealed this secret to Meg. Crimes of the Heart - Babe Monologue Kristi Murdock 1.3K views 2 years ago Monologue Challenge 1/10 - Mosquitoes by Lucy Kirkwood Nansi Love 15K views 2 years ago Legally Blonde YouTube. But out of must not be taken to mean imitation; it is just a legitimate literary genealogy. 95-104. Encyclopedia.com. Lenny, the eldest, never left Hazelhurst -- she is the caretaker of the sisters' cantankerous Old Granddaddy. "Crimes of the Heart" is rated PG-13 and contains some profanity. People do such things and, having done them, react in surprising ways. Although Henley once stated that when she began writing plays she was not familiar with OConnor, and that she didnt consciously say that she was going to be like Southern Gothic or grotesque, she has since read widely among the work of OConnor and others, and agrees the connections are there. Henley was the first woman to win the Pulitzer for Drama in twenty-three years, and her play was the first ever to win before opening on Broadway. 99-102. Crimes of the Heart is a 1986 American dark comedy film directed by Bruce Beresford from a screenplay written by Beth Henley adapted from her Pulitzer Prize-winning 1979 play of the same name.It stars Diane Keaton, Jessica Lange, Sissy Spacek, Sam Shepard, Tess Harper, and Hurd Hatfield.The film's narrative follows the Magrath sisters, Babe, Lenny and Meg, who reunite in their family home in . Perhaps the most negative and vitriolic assessment of Crimes of the Heart in print. McDonnell, Lisa J. it wasnt forever; it wasnt for every minute. He is still known affectionately as Doc although his plans for a medical career stalled and eventually died after he was severely injured in Hurricane Camillehis love for Meg (and her promise to marry him) prompted him to stay behind with her while the rest of the town evacuated the storms path. Lenny and Chick, a first cousin. Kauffmann, Stanley. An article published a week before Crimes of the Hearts Broadway opening, containing much of the same biographical information found in more detail in later sources. Nevertheless, Henley shares with these playwrights, and others of the Absurd, a need to express the dark humor inherent in the struggle to create meaning out of life. I said What? Few playwrights achieve such popular success, especially for their first full-length play: a Pulitzer Prize, a Broadway run of more than five hundred performances, a New York Drama Critics Award for best play, a one million dollar Hollywood contract for the screen rights. Lenny makes the call; it goes well, and she makes a date with him for that evening. In an unfilled kitchen she attempts to stick a birthday flame into a treat, yet it disintegrates. 290-91. Meg and Babe, left alone together, discuss why it was that their mother committed suicide, hanging herself along with the family cat. 25, no. She fears continuing the one romantic relationship, with a Charlie Hill from Memphis, which has gone well for her in recent years. Ultimately, the sisters belong only to Miss Henley and to themselves. This theatrical dialect, combined with Henleys unlikely dramatic alliance between the conventions of the naturalistic play and the unconventional protagonists of absurdist comedy gives Henley what Haller called her idiosyncratic voice, which audiences have found so refreshing. In the end, Henley encourages the audience to take a less absolute view of what constitutes cruelty, to understand some of the underlying reasons behind the actions of her characters, and to join in the sense of forgiveness and acceptance which dominates the conclusion of Crimes of the Heart. . . Lenny loves her sisters but is also jealous of them, especially Meg, whom she feels received preferential treatment during their upbringing. Writing in the Southern Quarterly, Nancy Hargrove, for example, examined Henleys vision of human experience in several of her plays, finding it essentially a tragicomic one, revealing . It is also a touching expression of sisterly solidarity, while deriving its true funniness from the context. Collaborate with him. Meg actually returns a moment later, exuberant. Henleys macabre sense of humor has resulted in frequent comparisons to Southern Gothic writers such as Flannery OConnor and Eudora Welty. Familial Bonds in the Plays of Beth Henley in the Southern Quarterly, Vol. In all likelihood, "Crimes of the Heart," even with its Pulitzer Prize, couldn't have been made without its big-name cast, and for good reason. Lenny expresses a vision of the three sisters smiling and laughing together .
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